Discover mythical stories from cultures around the world
8 stories found
High in the Alpine pastures, far above the villages and their laws, three herdsmen pass the long summer in isolation. What begins as a joke born of loneliness the creation of a straw woman to ease the silence slowly curdles into cruelty. As autumn fog descends and the cattle are prepared for the return to the valley, the doll they mocked and abused rises to deliver judgment.
After her father was executed as a rebel, Takiyasha-hime did not fade into mourning. She stayed. In ruined halls, she called upon the dead those left unburied, unfed, forgotten. From their bones rose a skeleton too large to ignore. The monster was not her rage alone; it was the hunger and violence of war given shape. The Gashadokuro does not hunt the living for sport. It rises because too many were never allowed to rest.
The Basajaun is not a god, and he is not simply a monster. In the forests and mountain valleys of the Basque Country, he is remembered as something older than either. Covered in hair and built like the land itself, the Basajaun belongs to a time before fields and villages, when humans were still learning how to live in the wild. In these stories, he is the keeper of knowledge of farming, tools, and survival but he does not give it freely.
The mountain was quiet. The son climbed in silence, his mother’s arms around his neck. Along the way, she snapped twigs and dropped them behind them. He thought she was planning to return. Only at the summit did he learn the truth she was marking the path so he would not lose his way home. Ubasute is not a story about cruelty. It is about love surviving even when survival itself becomes cruel.
On a cold shoreline in 1803, fishermen pulled something from the sea that did not behave like wreckage and did not feel like a gift. It was sealed, heavy, and silent. Inside sat a young woman who could not speak their language, guarding a box she would not release. The villagers did not attack her, nor did they help her. Instead, fearing the trouble her presence might bring, they pushed her back into the waves.
Built from broken tools and animated with blood, the Kratt was a tireless servant designed to steal wealth for its master. But it could never stop working. In Estonia’s folklore, the Kratt embodies the danger of autonomous labor an artificial being whose logic, once unleashed, inevitably turns against its creator.
The castle would not stand. Walls collapsed again and again, until someone suggested feeding the land a life. O-shizu, poor and powerless, agreed to be buried alive so her son might rise above poverty. The stone walls held but the promise did not. Forgotten beneath the keep, she became rain, mist, and memory. The legend of O-shizu is not about superstition; it is about what societies choose to bury in order to build.
In a respectable samurai house in Edo, something began to demand service. Not a ghost, not a demon just a filthy, enormous foot crashing through the ceiling, ordering to be washed. And the household obeyed. Night after night, terror turned into routine. Buckets were filled, rags were wrung out, and the foot was cleaned like a guest who could not be refused. The horror of Ashiarai Yashiki lies not in the monster, but in how quickly people adapt to the absurd when obedience has been trained into them.